So Very Behind…

I haven’t updated in ages. The past month or two has been crazy-busy, writing-wise.

My revisions on Boarder Patrol were due October 31. There wasn’t that much to change, but some of what needed fixing took some thought. Since the book is under contract, I didn’t feel right working on anything else until I had that work done.

My newest manuscript, Tyler’s Intergalactic Spy School, won the juvenile category in the Muskoka Novel Marathon. I was able to revise it a little before sending it to the level-two judges, Kevin Craig, Anne Millyard and Roy McGregor, for feedback. (Well, Kevin was gracious enough to look at the raw manuscript, but that was due to a scheduling issue.)

The next step will be preparing it to go to a Canadian children’s publisher for January. The publisher is going to give feedback and not necessarily consider the manuscript for publication, but obviously I want to do the best job I can before submitting it. And there’s a lot of work to do before January! Especially around the ending…

My short story, ‘Julia’, was published in On Spec; I finally received my copies just this past week. It’s exciting! I’m especially grateful to the readers who got in touch with me and had very kind things to say about the story. My first reader feedback! 🙂 I won’t mention names, but that first email that appeared in my in-box made my week. Thank you so much!

I learned some great things in Brian Henry’s writing course and at the CANSCAIP conference, Packaging Your Imagination, which I’ll try to share here when things slow down a bit. I’m working on more changes to Boarder Patrol this week, and planning a book launch. The book launch will get its own post.

I’ve also plunged into CANSCAIP and volunteered as the new co-recording secretary. Taking the meeting notes, I’m fine with. Voting on issues feels somewhat less comfortable, given that I have all of two months’ experience as a member. I suppose I can balance out the more established authors and illustrators, or stretch out the bell curve, or something.

Finally, my husband insists on dragging me into the twenty-first century despite my misgivings. I caved and opened a Twitter account. I’m still not sure I’m doing it right, but I’m following some people who have interesting things to say (including said husband, because otherwise he’ll get cranky). Every now and then I pop up with a reply or a link, and I’m learning how to “retweet”. I’m @erinlthomas, because erinthomas was taken.

More later. Back to work.

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Novel Marathon Wrap-Up

My friend Susan and I are heading up north this weekend for the Muskoka Novel Marathon wrap-up on Sunday. We’ll make a weekend of it, taking Brian Henry’s writing class in Gravenhurst on the way up on Saturday.

We’re spending the night at my parents’ cottage, which at this time of year is rather chilly and free of running water (unless you count the lake), but free and close to Huntsville. I expect we’ll do some writing Saturday night — a writing nerd’s idea of a good time, and Susan and I both qualify — but only if we can thaw out our fingers enough.

I’ve got these wonderful half-mittens… kind of like fingerless gloves, but much easier to type with. They might be making an appearance.  Actually, I wish I’d had them the summer before last, at the Nova Scotia writing retreat–early mornings in the fish house were lovely but chilly. 

Anyhow, links:

Karen Wehrstein, a novel marathoner, wrote this summary of the novel marathon, complete with pictures. 

Brian Henry’s course list is here; the class we’re taking is here. 

I’ll post the novel marathon results sometime next week!

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Short Story in On Spec

My short story ‘Julia’ will appear in the Fall 2009 issue of On Spec–Canada’s science fiction magazine! I sold the story to them more than a year ago, so it’s exciting to see it finally being published. One of the editors wrote to tell me that the issue is with the printers now.

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We have the books!

Last weekend Paul Kropp, the publisher of the Dragon Speaker book series, had Cheryl, Deb and I over for lunch because the books were in!!!

I think we spent the first little while just looking at the books and holding them and flipping through them… there was something rather surreal about it.

I’m having trouble uploading pictures right now, but I have cover shots and some other photos that I’ll post later.

The books are available from the HIP-Books web site (it doesn’t look like you can order them yet–the teacher’s guide isn’t back from the printers yet, which may be why), and in about a month, will be on Amazon.

On Wednesday night, Cheryl, Deb and I introduced the books at the CANSCAIP meeting in Toronto… nerve-wracking, but everyone was friendly and supportive. We had a few questions about what it was like, working together on the series and how we managed the logistics of it (gotta love the web). The last question, I think, was whether we’d work together again–of course we would! 

Sylvia McNicoll, who has written about eight zillion excellent YA books, was there and gave us our first ever book sale. That might have been exciting regardless, but the fact that it was Sylvia made it special. I found a good home for the actual bill she gave me–and no, it’s not my bulletin board, although the cheque from my first-ever writing sale (Globe and Mail, 2002) is still there. Sorry about that, Accounting people.

There’s a web site for the series: www.dragonspeakerbooks.com. The Art section is worth checking out–Charlie Hnatiuk, the artist for the series, contributed some really interesting process sketches and a blurb on how he goes from sketch to book-ready art.

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Book Promotion Contest!

My friend and co-author, Cheryl Rainfield, is holding a contest to spread the word about her two upcoming books. You can find the details here, on her web site. She’s offering book store gift certificates and signed copies of all three books in the Dragon Speaker trilogy (embarrassing aside: I still sign my name the way I did in grade eight. Guess I should work on that), as well as some fancy pens and magnets she’s had made up as promotional pieces.

The first book mentioned, The Last Dragon, is book one in the Dragon Speaker trilogy from HIP Books. Deb Ouelett wrote book two, and I wrote book three. 

Cheryl’s other book, Scars, has been longer in the making, and will be available from Westside Books in the spring. It’s an edgy teen novel that deals with cutting. Cheryl can write dark and edgy very well, but there’s always a trace of hope in her stories. I haven’t had the chance to read this one yet, but I look forward to it. 

Cheryl’s promotional YouTube videos, however, are not dark and edgy. They’re sweet and funny. You can see them here: 

Video One

Video Two

Check them out! Enter the contest! You’ll make Cheryl very happy. 🙂

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Proofs and a Contract

My big job for this weekend is to go through the proofs of Draco’s Fire, my first book, which is due out this September from HIP Books (book three of the Dragon Speaker trilogy–the first two books were written by Cheryl Rainfield and Debbie Ouellet).  I’ve never actually seen proofs before, so it’s pretty exciting. This is the way the book will look, pictures and everything. The typesetting is very nice. 🙂 

I also just signed a contract for my snowboarding book, Boarder Patrol, with Orca Sports. It will be published in Spring 2010. 

Both books were written in response to calls for submission that I found out about through the CANSCAIP newsletter. If anyone is interested in writing for children, it’s very much worthwhile to become a CANSCAIP friend. The organization is a great source of information, and the meetings (not that I often go; too much of a wimp to drive into Toronto more than necessary) are great.

I’m excited about these two books, and about my new novel marathon draft, but for the time being, I’m back to work on Pyro: or who to be in high school. I’ve lost track of which rewrite this is; maybe the seventh or eighth substantial one over two years. It’ll be nice to get back to those characters.

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Muskoka Novel Marathon 2009

I joined in the Muskoka Novel Marathon again this year, one of my favourite writing events. It’s a fundraiser for the Muskoka Literacy Council, run by the wonderful Susan Lowe. 

I wrote a children’s novel this year; just under 25,000 words in 3 days. Crazy. Obviously it’s going to need a lot of work (when I finally get back to it… new marathon projects get back-burnered for a long time), but for a first draft written at great speed, I’m happy with it.

The marathon was great. Everyone was friendly and supportive as always. I even dragged a friend from my night class along… it was her first marathon, and she was happy with it, I think. She got a first draft finished… impressive, considering that she lost fifteen pages due to a technical glitch on the second day.

It’s always such a nice feeling to write “the end”, and know that your vague idea has turned into an actual manuscript that you can edit and shape and pick the best parts out of. I find editing easier than writing; that’s probably why I like marathons. It’s always easier to fix something that exists than something that doesn’t.

See article in The Muskokan.

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Some Interesting Links

There are writing-related things that I’ve been thinking about, and want to write about. These are not them. 

Still, cool and interesting links for people who like words and stories and so on. 

Link #1:

This is just pretty: periodic table of typefaces. I like fonts. Interesting that Helvetic is in the Hydrogen position and most of the more commonly used fonts are near the top… if I had paid more attention in OAC Chemistry, I might be able to draw some conclusions.

As it is, I sat with my friend Carmen and learned to fold origami paper stars. Sigh. Missed opportunities. (Although the paper stars thing has come up more often than the need to read the periodic table, I must admit.)

Link #2:

I like Pixar. I think they tell good stories. This little cartoon takes a dig at Dreamworks, which may not be entirely fair, but I like it for another reason. 

In my Writing for Children class, we’ve talked about picture book manuscripts. I think they’re one of the most difficult forms of children’s writing; fun to read but hard to write. Apparently that’s not the general consensus, though. Because they’re short, people expect them to be easy. It’s very easy to write a bad picture book. The talking-animal-for-the-sake-of-talking-animals scenario is a classic bad setup for a bad picture book.

When I read the cartoon, I replace Pixar with “good picture books” and Dreamworks with “bad picture books”. If I come up with a catchier way to phrase that, I’ll let you know. Then again, if I could do that, I might be the sort of person who is qualified to write picture books. 

Link #3:

This is a New York Times article on the lost art of reading aloud. My husband read about it on Neil Gaiman’s twitter (tweet?) account. Not sure what the proper phrasing around that is. I’m a big Neil Gaiman fan, though, so it almost makes me want to jump on the twitter-y bandwagon. Almost. Not quite.

Reading aloud… I like the idea of people getting together for that, but somehow the idea connects, for me, with the Jane Austen drawing room. I just don’t know anyone who does that and never have.

I read to my daughter, of course–every night, and often during the day. Today she was reading board books to her younger cousin. I felt very proud. And sometimes, when I’m being very conscientious, I read my own writing aloud in order to edit it. I always feel terribly self conscious doing that. 

I think the article makes a good point, though, about work being experienced differently when it’s read aloud. It’s a shame we don’t do that more. And yet, I just can’t see it happening. I’ll keep reading aloud to my daughter as long as she’ll let me, and listen to her read aloud whenever she will, and hope to pass the habit along to her.

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NYC Midnight Short Story Contest: 3rd place

This is the second year that I’ve participated in the NYC Midnight Short Story Contest. It’s a great way to get new story ideas. Each participant is assigned a genre and a topic to build their story around. There’s also a fairly tight timeframe, so it encourages “just get it done” writing… which, to be honest, is the way I like to write my first drafts. I find it much easier to revise when I’ve got something to work from.

In round one, participants are divided into heats… usually 30 heats, with 20 or so participants in each. Each heat is assigned a different genre and topic, then participants are given a week to write their 2500-word stories.

Round one first-place and second-place winners go on to compete in the final round. Everyone in the final round is given the same genre and topic, and has 24 hours to complete a story.

It’s a great way to end up with two seedling stories, and since the contest does not publish the winning stories and ownership stays with the writer, you’re free to revise and market them.

Last year my first-round entry (sci-fi, investment) turned into a story that I was able to sell to On Spec magazine. My second-round entry (ghost story, salesman) was terrible and shall never see the light of day.

This year, I was less happy with my first-round entry (action-adventure, hot air balloon), but my final-round entry (sci-fi, neighbours) won third place overall. Apparently I like to write grim sci-fi stories. Very strange. That’s not at all what I read.

Novel marathons and contests like this one have convinced me that constraints and time limits make it easier to write… first drafts, at least. I don’t write a lot of short stories, but I think next year I’ll sign up again and hope for the chance to write two more.

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Story proposal gone out… eep.

Approaching a publisher is nerve-wracking. Every single time. Even with an agent acting as go-between. 

I’ve worked on a cover letter, sample chapters, synopsis and chapter outline over the past few weeks, through many revisions–especially on the synopsis. Brevity, clearly, is not my strength.

I interviewed a subject-matter expert (okay, that was at a local pub and it was fun), read up on the topic, outlined and drafted, asked for and incorporated critiques from my writing buddies, and redrafted the thing several times with my agent. Then ran it past new eyes.

And still my gut reaction, when I saw that it had been submitted, was “eep.”  

I wonder if it gets easier.

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